vivid
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| samples he had a very | vivid | way of bringing places to |
| that his sister hid a | vivid | imagination an like as no |
| reality p 59 but a | vivid | imagination does not only mean |
| this narrative of janie s | vivid | imagination flights of fancy love |
| all and there are many | vivid | pictures of it in his |
| so as to create very | vivid | word pictures or lively language |
| thomson even then painted such | vivid | images of exciting football geordie |
| story but it gives a | vivid | picture of a thatched house |
| at the wedding giving a | vivid | picture of the diet of |
| year lady arbuthnott gave a | vivid | word picture of her experiences |
| of the above passage is | vivid | and powerful the highly sexual |
| day on the mountain remains | vivid | in my memory the clear |
| home births she has a | vivid | memory of following the snowplough |
| deeper greens and terracotta so | vivid | it was almost red encouraged |
| and my thoughts grew less | vivid | of poland as the mommas |
| is expressed and made more | vivid | by words taken from another |
| black her mouth was a | vivid | purple slash tricky to make |
| with shopping baskets fishermen mend | vivid | blue nets cross legged on |
| this episode in particular is | vivid | dramatic and it makes good |
| both young and female with | vivid | openness to experience in different |
| were to be recreated with | vivid | imaginative power many years later |
| the auld toun a ve | vivid | maimories o the auld john |
| know eh now is so | vivid | yet because it was the |
| of the audience in a | vivid | affirmation of life like a |
| lights in the foyer the | vivid | pattern of the carpet and |
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