poet
See this word as a collocate cloud
| conflict a fight between the | poet | and scholar and the hapless |
| mirth an jollity scholar sodjer | poet | sae braw fareweel tae grace |
| mirth an jollity scholar sodjer | poet | sae braw fareweel tae grace |
| mirth an jollity scholar sodjer | poet | sae braw fareweel tae grace |
| lees thorfinn orm is a | poet | orm ah dout thorfinn maun |
| me orm orm orm the | poet | sings naething but lees thorfinn |
| nairne nor an oral folk | poet | and singer such as isobel |
| may represent either an oral | poet | at work or the stylistic |
| the lettered poet the oral | poet | cannot review his previous work |
| word as his unit the | poet | composed a different oral poem |
| to suppose that the oral | poet | s audience would be conscious |
| intensive clustering unlike the lettered | poet | the oral poet cannot review |
| the mind of the oral | poet | who would not have the |
| conditions under which the oral | poet | worked there is no reason |
| a definite feature of the | poet | s style and not merely |
| illustrate a feature of the | poet | s style results large scale |
| was a feature of the | poet | s style the next step |
| wes naething ah wes a | poet | thorfinn div ye believe in |
| ah hae becum juist a | poet | thorfinn syne ye hae becum |
| style helpful to both the | poet | and his audience as the |
| do better by the national | poet | 3 the burns federation one |
| alive the works of the | poet | burns lived in a time |
| of burns as a european | poet | connected with work i was |
| period and an eighteenth century | poet | however whereas burns himself was |
| dialektdichter is burns a dialect | poet | is therefore an immediate question |
| burns was not just a | poet | of course that is what |
| a life of the scottish | poet | robert burns and the memoir |
| burns which regretted that the | poet | should have ever stooped so |
| burns in 1828 considered the | poet | to have been without model |
| said maclaurin being an occasional | poet | himself he felt he should |
| every detail of which the | poet | himself is most intimately acquainted |
| clustering under discussion like the | poet | himself they would be more |
| ramon llull the great medieval | poet | philosopher and arabist whose patron |
| its intensity coming from a | poet | whose history includes the clearances |
| readily as it would a | poet | whose mind is already naturally |
| of the period is the | poet | janet little born in 1759 |
| major biography scotland s national | poet | was born in the same |
| by the lowly born servant | poet | who brings consolation through her |
| the rank of the national | poet | and a consequent international status |
| why he is our national | poet | at this moment he would |
| seeing him as a national | poet | but it is the quality |
| that he is our national | poet | ian mcintyre for example starts |
| the definite article the national | poet | if we believe as i |
| is obviously not our national | poet | in the sense of writing |
| offers that thought the national | poet | of scotland but what does |
| reputation as scotland s national | poet | three years later stevenson did |
| and possibly r e national | poet | what does he have to |
| er there s a young | poet | and she d been writing |
| write in scots by the | poet | anne stevenson during creative writing |
| fall co 56 for this | poet | writing the body also means |
| statement of what a scottish | poet | of that period and time |
| forsook his plough for a | poet | cannot be made just by |
| poetry that such a great | poet | and persuasive personality as hugh |
| say what did this great | poet | author of such famous poems |
| could not be a great | poet | because he lacked high seriousness |
| the mark of a great | poet | is that he is not |
| and here is the great | poet | who has by this time |
| him to be both folk | poet | and universal artist hans hecht |
| to our understanding of this | poet | as both volksdichter and künstler |
| as both volksdichter and künstler | poet | of the people and universal |
| words the originality of the | poet | lies largely in saying something |
| casual observation that the beowulf | poet | tends to repeat words within |
| the author very often the | poet | uses unusual choices of words |
| giving sorrow words from the | poet | william stafford who was asked |
| his hand at being a | poet | and an animal mortician and |
| to stop at being a | poet | is just like being a |
| supper iqbal being the premier | poet | of pakistan in the twentieth |
| his being established as the | poet | of the scottish winter festival |
| work of any non scottish | poet | the main difference being the |
| but worse fatal in a | poet | why said maclaurin being an |
| with the simplex in the | poet | s mind if the compounds |
| phrase mean scotland s greatest | poet | its most popular the only |
| its most popular the only | poet | most people have heard of |
| and leander by the roman | poet | martial francis child thought that |
| the thought of a milkmaid | poet | she points to the way |
| we and another couple a | poet | and an actress ate a |
| birthday her husband is a | poet | and we and another couple |
| medium like many another scottish | poet | davidson seems to deplore the |
| saxon by alfred another kingly | poet | it is when james picks |
| notice of the lately deceased | poet | hecht however did not consider |
| is shed as saith the | poet | however earl lavender is more |
| mcdonald is an accomplished versatile | poet | unlike blackhall however her problem |
| a can tell yer weekend | poet | disnae hae the wit tae |
| is that of the professional | poet | not the autobiographer to tell |
| may tell us that the | poet | s lays have charm d |
| the epic m608: mm m078: | poet | trying to tell a story |
| an sae am i each | poet | wis assigned a photographer so |
| true harmony between the scottish | poet | and his people with the |
| dunlop s other protegée the | poet | janet little could move between |
| lochhead work poems fae the | poet | s childhood luik fondly oan |
| the theme of woman as | poet | a crooked planet who does |
| who said she was a | poet | an emigré frenchman with a |
| cares about janey only the | poet | it would appear who uses |
| the identity of a transitional | poet | who points the way to |
| with the biography of the | poet | and his family the preservation |
| instead a representation of the | poet | and his times in a |
| have here but a major | poet | at the height of his |
| that he was an edinburgh | poet | bit de il care his |
| scholarly attention as a european | poet | of his time to think |
| to forget his roots the | poet | reminds the monarch that he |
| a dire alarm announces the | poet | s advance his winged horse |
| their own need by the | poet | s need to express his |
| orally and at speed the | poet | would concentrate his attention on |
| the speaker stated that the | poet | should choose to deal only |
| bibliographical references to the scottish | poet | are to be found as |
| was a visionary and a | poet | as well as a musician |
| has developed in her as | poet | her preoccupation with identity not |
| of myself as a woman | poet | i m sure if i |
| i have something of the | poet | in me as you will |
| of lochhead as an autobiographical | poet | in the 1970s mcseveney acknowledges |
| with janie as a potential | poet | indeed her love of literature |
| that sound personal as a | poet | people never think of the |
| was neither an upper class | poet | such as joanna baillie a |
| a reputation as a local | poet | what is so interesting about |
| often described as an autobiographical | poet | yet while lochhead might be |
| may say that our ayrshire | poet | declared that the happyest nicht |
| an inimitable bust of the | poet | s head of gold may |
| and joe murray also a | poet | he did the the cover |
| gerry cambridge the the the | poet | he did the typesetting and |
| of the cowgate and the | poet | under discussion was a bumptious |
| of composition used by the | poet | it might also be profitable |
| to dispute the post of | poet | laureate to james alliteration used |
| means of cultural expression the | poet | sydney goodsir smith used to |
| slap on the bottom this | poet | can mak her ain case |
| us an impression o a | poet | givin generouslie o her affections |
| ability to make her a | poet | indeed but for now janie |
| at least influenced the beowulf | poet | goes some way towards explaining |
| ti be a weill kent | poet | ah wantit ti git aheid |
| pagan was a non literate | poet | and singer from muirkirk in |
| about their liaisons with the | poet | and the fourth a dancer |
| vocation to be a modernist | poet | and to and one of |
| not fitting into what the | poet | angela mcseveney in a different |
| thinks he s quite a | poet | aw ah can say he |
| im ah ti be a | poet | aw ma days throu the |
| works o this foremaist scottish | poet | collectit ower sic a lang |
| taken a fall and the | poet | enters unheroically with a broken |
| suggested isabel could become a | poet | in minor ways she is |
| a strong fascination for the | poet | in the winter s tale |
| begins in misery when the | poet | is confined within a tower |
| in the poem beowulf the | poet | is found to have a |
| its use by the folk | poet | isobel pagan pagan was a |
| a 17th century scots gentleman | poet | it itself is worth a |
| be linked to a local | poet | it was some time before |
| john hegley a sassanach performance | poet | it wis hegley fa insistit |
| next parliament should establish a | poet | laureate and ian jenkins would |
| ye deid an a plouman | poet | maun aye be tentie o |
| that i am neither a | poet | nor a critic but i |
| poetry led bi a dublin | poet | paula meehan an john hegley |
| a wee sample o the | poet | s fascination wi the frankenstein |
| of the tawse and the | poet | sent back to find a |
| it is not a minor | poet | that we have here but |
| to grave materis for a | poet | to mell in poets in |
| noo if ye seek a | poet | wha is fit tae dae |
| of the making of a | poet | which is largely autobiographical the |
| example given by a dundee | poet | whom i met at a |
| george gascoigne a minor elizabethan | poet | wrote the first critical essay |
| to carol ann duffy sister | poet | friend of my youth is |
| is noted here but the | poet | in the persona of the |
| into an awareness that this | poet | is flouting convention and bursting |
| stanza these disappear and the | poet | speaks for herself this is |
| sri lanka s first modern | poet | acknowledgements dr gordon booth very |
| yeah m605: very [inaudible] the | poet | they ve got cause i |
| and the writings of the | poet | by placing them against the |
| by the fact that the | poet | composed orally or was influenced |
| the book of ecclesiastes the | poet | swears by christ then addresses |
| 12 in which since the | poet | will not come to visit |
| king but notice the scottish | poet | appeals to the patriotism of |
| case montgomerie was the senior | poet | at james court but he |
| to flight aye but the | poet | ll hurt nane but himsel |
| thing but i think the | poet | that g- that that writes |
| grave she the freak the | poet | buried on this moor top |
| the white even though the | poet | repeats this line verbatim later |
| no much missin fae this | poet | s attentions an humour sits |
| since this was probably the | poet | s personal gift to the |
| wis wee the anely ither | poet | he kent bi hairt wis |
| home of joe campbell singer | poet | artist and managing director of |
| note of complaint when the | poet | compares the claims of isis |
| stages of students what other | poet | in the canon of english |
| bars of deià the scots | poet | norman maccaig remembers graves sweeping |
| precursor of spanish modernism the | poet | ruben darío the painters gasper |
| too much knowledge of the | poet | s mental processes especially when |
| middletons of coull tarland the | poet | s paternal kinsmen king charles |
| mental processes especially when the | poet | was composing according to conventions |
| to nature while the sentimental | poet | was visionary seeking in nature |
| unbekannter gewesen has the scottish | poet | become an unknown in german |
| original scotish airs with the | poet | at one point insisting that |
| says to the journalist author | poet | critic illustrator radio or television |
| in many places no other | poet | has captured the hearts and |
| deep in the dye modernist | poet | m741: yeah m605: in the |
| months passed angus calder the | poet | phoned me up we started |
| if we talk about the | poet | that er i can t |
| wylie and direct conversations to | poet | freens carol ann duffy and |
| gave on monday on american | poet | elizabeth bishop so i m |
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