novels
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| fictionalised biography the trilogy of | novels | a scots quair chris guthrie |
| author of the trilogy of | novels | known as a scots quair |
| emerges from her letters autobiographical | novels | and fragmentary autobiography writing about |
| autobiography 7 carswell s two | novels | open the door which won |
| british poetry scott s historical | novels | combined those distinctively scottish inventions |
| to the reading of different | novels | graded in terms of difficulty |
| edinburgh edition of the waverley | novels | encouraging a fresh approach although |
| be more to the waverley | novels | than tartan and tushery at |
| the endings of both these | novels | are more complex more indeterminate |
| plus all the jack harvey | novels | and the three novels i |
| harvey novels and the three | novels | i wrote under a pseudonym |
| macnab is colleckit amang fower | novels | unner the title the leithen |
| mountaineerin ploys afore turnin tae | novels | yet his john macnab nae |
| the real relationship between the | novels | and chris s life should |
| good and evil as his | novels | and essays so clearly illustrate |
| sort of quite gritty urban | novels | and so the f606: yeah |
| strikingly original achievements smollett s | novels | fergusson s urban eclogues joanna |
| not so much poetry but | novels | as well like i just |
| of things and even even | novels | not so much poetry but |
| already produced materials er maybe | novels | produced by irish writers and |
| writers would not be writing | novels | that s the first thing |
| tax to salman rushdie s | novels | from franchises to comprehensive education |
| the majority of the rebus | novels | were actually written in france |
| structure and stuff particularly in | novels | more than short stories but |
| palace work a list of | novels | short stories lean tales sorry |
| first one was a- two | novels | ago where he appeared to |
| his favourite of his own | novels | eating people is wrong is |
| and partly tryin to write | novels | set in edinburgh f606: [laugh] |
| read various tings especially d | novels | o william burroughs i didna |
| already reading kind of [laugh] | novels | and stuff er so i |
| under seven years ranging from | novels | and short story collections to |
| much prefer the american cop | novels | to ehm british cosy as |
| cud yous yaise thir twa | novels | in cless wi a group |
| or huckleberry finn in various | novels | the necessary focus on details |
| maybe sir walter scott s | novels | even stevenson macdiarmid there are |
| read scott s poems and | novels | such an analysis became a |
| populist books or nineteenth century | novels | erm f963: mm mmhm mm |
| style o late 20th century | novels | greig s narrative perspective sclithers |
| him naebody nooadays likit his | novels | miss rubislaw didna like my |
| politics is there i baith | novels | but neither is maistly political |
| ideas and turning them into | novels | f606: [audience laugh] [laugh] m954: and |
| tried to suppress questions on | novels | about horse racing not the |
| forde there are no contemporary | novels | in scots this book has |
| less subtle scholars but the | novels | themselves are far from exhausted |
| hill s dalziel and pascoe | novels | are helped by the fact |
| i tuik oot a puckle | novels | bi the loon hissel vivian |
| construction of each of her | novels | is kesson s treatment of |
| in some of the kailyard | novels | in beside the bonnie briar |
| they ran out of morse | novels | they started makin up their |
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