imagery
See this word as a collocate cloud
| to the eyes the weaving | imagery | appears here too with the |
| work davidson brings in weaving | imagery | on this occasion he couples |
| in the botanic gardens the | imagery | of exotic plants and flowers |
| he couples it with musical | imagery | to good effect to feel |
| the use of this musical | imagery | tends to underline the view |
| formulaic patterns of word choice | imagery | and repetition and frequently involving |
| and powerful the highly sexual | imagery | of words like drove suck |
| me powerful too is the | imagery | which communicates the intensity of |
| describe the landscape more military | imagery | comes into play anyone who |
| heightened by the strong military | imagery | the starlings sidled with scarlet |
| including the use of structure | imagery | and rhyme as appropriate at |
| re presents femininity natural world | imagery | has also been regarded with |
| nature in smith the sexual | imagery | is more covert perhaps even |
| what validates the natural world | imagery | in this poem is its |
| get davidson constantly foregrounds his | imagery | throughout his poem making the |
| damascened attire this intense clothes | imagery | seems entirely out of place |
| story with vitality and detailed | imagery | and are a true record |
| are modifiers associated with battle | imagery | and in line 4 we |
| as suggested by the rhetorical | imagery | most german translations on the |
| dead but this time its | imagery | moves the preoccupation with country |
| came next lack of visual | imagery | wrote dolly the words spewing |
| music itself and the symbolic | imagery | of the chopin sand graves |
| fading love is told through | imagery | of farm and kitchen garden |
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