style
See this word as a collocate cloud
| greek trenched high style continental | style | baroque style that is very |
| eh this highly elegant baroque | style | being associated with a tendency |
| even latin tags the prose | style | can be termed baroque after |
| latin drenched greek trenched high | style | continental style baroque style that |
| the incredibly baroque complex periodic | style | it went out of favour |
| high style continental style baroque | style | that is very very much |
| ornamentation to an already ornate | style | the baroque decoration in urquhart |
| contrasted that with the continental | style | based on latin of long |
| great exponent of the continental | style | in scottish prose [inhale] but |
| leslie following a continental classical | style | influenced by french and ultimately |
| moment is it the continental | style | is it the native style |
| a parody of the continental | style | of prose writing the long |
| a parody of the continental | style | of prose writing you have |
| sentence [click] [inhale] so the | style | shifts into the ornate continental |
| the latin based the continental | style | [sniff] [inhale] urquhart is often |
| basically took the the continental | style | to its mad absurd extreme |
| move towards the elaborate continental | style | which became kind of associated |
| self parody to an extreme | style | i think urquhart is not |
| we will see urquhart s | style | is itself a parody so |
| with a plain straightforward prose | style | and they also became identified |
| latin phrases [inhale] the prose | style | can be termed and has |
| not a very sophisticated prose | style | [click] [inhale] if you ve |
| erm [click] and the prose | style | is at the very least |
| a feminine complement the prose | style | is very unlike the plain |
| [click] [inhale] and the prose | style | makes use of complicated sentences |
| reformers won significantly shaped the | style | of prose in the centuries |
| swept away by the plain | style | prose of the victorious reformers |
| [inhale] this is a prose | style | that seems to grow naturally |
| can go the older scots | style | the slightly archaic exalted prose |
| pastiche of urquhart s prose | style | urquhart was born in 1611 |
| with a plain straightforward prose | style | with some exceptions like george |
| feature of the poet s | style | and not merely the results |
| is a significant feature of | style | and one which would repay |
| is a feature of oral | style | helpful to both the poet |
| be a feature of oral | style | in general the starting point |
| feature of the poet s | style | results large scale clustering this |
| a constant feature of oral | style | the existence of this phenomenon |
| feature of the poet s | style | the next step was to |
| eh he parodies urquhart s | style | but as we will see |
| story logopandocy and compare the | style | his pastiche of urquhart of |
| it s written in the | style | of thomas urquhart of cromarty |
| seems to be parodying the | style | of trigonometry books with urquhart |
| s affecting the pretentious latinised | style | urquhart seems to be parodying |
| the proposals in the scots | style | sheet amounted to about a |
| developed version of the 1947 | style | sheet based on traditional spelling |
| makkars club 1947 the scots | style | sheet in lallans 2 edinburgh |
| followed the recommendations in the | style | sheet to some extent these |
| d mackie where the scots | style | sheet was approved makkar s |
| the inheritors of a plain | style | as the vehicle for unadorned |
| being associated with the plain | style | or protestant writing one of |
| is very unlike the plain | style | that we have inherited from |
| very least unlike the plain | style | that we ve inherited from |
| using high plain or low | style | vocabulary the language should be |
| a notion of the high | style | and low style of verse |
| individuals style individual manipulation of | style | eh the reality is always |
| very differently by different individuals | style | individual manipulation of style eh |
| ideology is different and his | style | is different and the style |
| the high style and low | style | of verse will be familiar |
| style is different and the | style | that pitscottie uses becomes very |
| style is it the native | style | what s the effect that |
| the kind of loose colloquial | style | based on speech the native |
| based on speech the native | style | [inhale] some writers and i |
| and pitscottie following a native | style | linking him to the old |
| he often affected an obscure | style | deliberately drenched in latin and |
| study clustering in known oral | style | of different genres and periods |
| the oral tradition influenced its | style | the weight of the evidence |
| have their appropriate vocabulary and | style | and it would be indecorous |
| uses a highly latinised high | style | vocabulary to begin to talk |
| as a formal public high | style | language cotgrade s cotgrave s |
| as a formal public high | style | language cotgrave s after all |
| inaccuracy and an impersonal formal | style | reports also share some language |
| be a more formal technical | style | than the one he is |
| use of an indirect free | style | more often associated with the |
| of descent from the high | style | latinate poetry of the mediaeval |
| two routes to a high | style | one less obviously scottish note |
| chapter one dunbar s high | style | poetry i ve got a |
| island younger schoolchildren wear french | style | smocks with white collars older |
| which is perhaps the french | style | which is to write everything |
| lace curtains over the french | style | windows which are closed on |
| brought the reader s speech | style | closer to standard english in |
| my speech in the heigh | style | o disraeli an linda thain |
| speech the sense of appropriate | style | which can emerge from cloze |
| in a kind of spoken | style | [inhale] and we contrasted that |
| of cromarty [inhale] gray s | style | is parodic or a pastiche |
| words to suit a particular | style | and using grammatical awareness to |
| have in actuality happened this | style | i m using doesn t |
| is more aureate in the | style | say of dunbar using more |
| 60 26 mcseveney s writing | style | is harsh like much of |
| writing in scots but their | style | is very different and leslie |
| of smith s mature writing | style | sigmund freud and william robertson |
| however there was an older | style | of handling the straw this |
| a chancy job an older | style | said to be for wilder |
| very often a simply beastly | style | he wrote indirect and roundabout |
| enjoyed this aspect of rabelais | style | it has often been said |
| would be my very own | style | and i could read it |
| which is almost in period | style | and is becoming very popular |
| re scouting 21 wednesday country | style | c d very good but |
| very little researcher involvement gp | style | in the playground setting each |
| who kept on making military | style | jokes on entering the very |
| very drunk much in the | style | of the absinthe drinker by |
| graphs here the phenomenon of | style | shifting is very apparent in |
| altered or wants a different | style | kenny macaskill s suggestion of |
| like teaching in your own | style | m605: it s also different |
| ye soud lead a different | style | o lyfe ah m thinkin |
| we would use a different | style | of doing it f606: mmhm |
| thankfully the uncompromising economical box | style | apartments of our own times |
| with their own distinctively complex | style | but letters of complaint or |
| your own sort of teaching | style | you ve gotta find it |
| used to be the old | style | a bench m1008: that would |
| saw a lot of old | style | fireplaces there were hingin lums |
| was to pull the old | style | had big wooden teeth but |
| down restrictive practices and old | style | professional boundaries they are prepared |
| eel was christmas day old | style | that is 6 january and |
| in a kind of colloquial | style | a little bit like the |
| of the queue kind of | style | m608: aye m194: cause of |
| of fifties kind of classic | style | yeah f965: yes yes well |
| f1009: in that sort of | style | ehm a a ned would |
| up in sort of fifties | style | f641: mmhm f643: and i |
| switching from one sort of | style | to another and it it |
| is more a matter of | style | and lack of experience of |
| assessments written in a simpler | style | and more guided experience of |
| more interesting in terms of | style | and more pleasurable to read |
| have trouble keeping the same | style | for more than a page |
| days ago was wrong the | style | is more mannerism than naivety |
| a music hall song this | style | is more obvious if the |
| that is more colloquial in | style | m1174: i think that s |
| to follow the more consensual | style | of the european parliament and |
| greater literacy and awareness of | style | students who know more about |
| language scottish modifying the word | style | and the past participle scotched |
| in future moreover the language | style | that the child habitually uses |
| language o their ain sorta | style | you kent whaur they come |
| an hae a mair hummil | style | a dinna sei whitwey we |
| fearless haunsome that s my | style | an blessd wi mair n |
| mair intersetin in terms o | style | and mair pleasurable t read |
| this book in the subtle | style | blending scots and english the |
| storeton etc jessie sticks on | style | 2 wednesday to liverpool with |
| play i ll show ye | style | agnes enters with a plate |
| the focus for discussion of | style | and accuracy with the students |
| with handsome door in glasgow | style | and brasses polished bright with |
| long woolly jumper with great | style | apart from the entertainment value |
| table with six black mackintosh | style | chairs dominates the reception dining |
| railway age with a moorish | style | entrance constructed on the site |
| the ancient terraces with moorish | style | houses all along the route |
| to identify with the hagiographic | style | in any case was not |
| that just the executive s | style | in dealing with an oft |
| moore son morroig s architectural | style | is neoclassical with a white |
| with the sparkle of grace | style | kindness and humour and extends |
| the man who originated the | style | of portraying people with elongated |
| of key linguistic variables rp | style | one to one interview with |
| the parliament with grace and | style | soon after she was able |
| scotland s forth bridge egyptian | style | with its inventive and elegant |
| her house to follow traditional | style | with some late twentieth century |
| [censored: forename] bought a new inca | style | bumbag after he excesses of |
| hae a richt auld farrant | style | aboot hir an she wad |
| ay ye hae the same | style | aboot ye ai ah bet |
| maudlin it s not our | style | beaumont you hae to listen |
| correspondents and this personalised conversational | style | is found also in her |
| of the father s teaching | style | 8 memoirs of himself p |
| adopted several characteristics of his | style | and outlook and have been |
| the factors of age gender | style | and phonetic environment her findings |
| couple of points about poetic | style | first all verse should be |
| tense and the most muscular | style | i m capable of i |
| to prune it in the | style | of a drysdale a perry |
| would have really appreciated the | style | of accommodation of unb the |
| his mannerisms and copied his | style | of dress but he was |
| others share concerns about that | style | of fundraising the teams of |
| in the news and the | style | of reporting lot of mistakes |
| a little bit like the | style | of the history the anglo |
| meet the needs aspirations and | style | of the new parliament 4 |
| re trying to imitate the | style | of the people in friends |
| getting closest to a literary | style | of the wri- of the |
| so he s parodying the | style | of trigonometry books [someone in audience sneezes] or |
| southerly parts of scotland another | style | of wooden contraption was actually |
| particularly the white bleached mediterranean | style | streets above the church of |
| in terms of content or | style | such discussion though it necessarily |
| out to be a suggestopedic | style | text full of painful propaganda |
| guarantee of a poem s | style | the lofty poem has a |
| hallmarks of lochhead s individual | style | the presence of a narrative |
| have none of these satsuma | style | worries 02 08 07 ned |
| input is important on what | style | and height they should be |
| act knox deliberately raises the | style | and obviously this is part |
| looks at broadsheet vs tabloid | style | and so on this is |
| is diverse in theme and | style | as lochhead advised her colleagues |
| [laugh] f122: [exhale] f010: same | style | f122: aye so is f010: |
| bit na it wisna my | style | i jist saa is lad |
| unb soccer team soccer british | style | is getting increasingly popular here |
| all for one thing his | style | is so consistent while i |
| reader a crisp and forthright | style | is the first essential and |
| it is diverse in organisation | style | size and function there is |
| especially developed the highly analytical | style | that is so evident in |
| good at my muscular narrative | style | has gone i m describing |
| go to the [censored: surname] in | style | i m flying down to |
| oh where s his mohican | style | i m so pretty you |
| m not knocking leslie s | style | it s ornate it s |
| this kintra chiel seen the | style | o profunditas lu wi his |
| hooses his niver bin ma | style | raither minnie moose an bambi |
| and arm his jeans had | style | stretched tight over aggressively jutting |
| it must change his life | style | though yes i remember gordon |
| him without excess that his | style | was his slave 34 that |
| writers either leaned towards one | style | or like john knox at |
| f639: so it was buffet | style | f640: so the adults always |
| life story and make the | style | so muscular it ll compensate |
| a crazy mad scientist hair | style | drive safely now he said |
| has said that this bare | style | was developed during her university |
| story that wisna mabel s | style | bit i got it fae |
| support or bureaucracy but her | style | and personality goes right across |
| the throne or the royal | style | and titles shall hereafter require |
| no f1040: a nap sorta | style | aye f1041: or a [inaudible] |
| the poem s composition or | style | beowulf criticism has undergone something |
| in either traditional or reformed | style | people would be able to |
| a lap dug s life | style | weel i ken ye ve |
| rachel ascheri my rachel had | style | and a wonderful smile and |
| mistress maybe i should forget | style | and just write what comes |
| two fold it lightens the | style | and serves as a mnemonic |
| where latticed windows and moorish | style | arches and courtyards hint at |
| f606: mmhm m954: agatha christie | style | ehm spinsters and titled gentlemen |
| in practice for example a | style | in both formulary e and |
| pirates and the extraordinary sardinian | style | mansion directly above the sea |
| already given [censored: forename] a babushka | style | scarf and an illustrated book |
| crime to ensure that family | style | services including mentoring and befriending |
| wear broad brimmed sunhats paisley | style | shoulder scarves and rough working |
| a lucid and remorselessly analytic | style | stevenson as we know found |
| the aalest and maist widespread | style | syne bob spak aboot skirlie |
| as trolleybuses and heavy military | style | trucks roar past black exhaust |
| among their msps 19 westminster | style | terminology such as front bencher |
| their personality but wi a | style | wir ain bands were tae |
| a refrigerator bourbon balls georgia | style | 1 lb castor sugar small |
| cooks do a fowl backwoods | style | 24 monday cub gets hurt |
| sittin stride legs ower a | style | an there atap the kitchie |
| a person i am le | style | c est l homme même |
| north windae alangside an aal | style | dresser wi a mirror in |
| a job on the side | style | editing a book on stalinism |
| until coming on a western | style | fast food portakabin outside the |
| a hairdresser could do topiary | style | haircuts i ll have a |
| rubber contraptions ir an aal | style | lame pig vrappit in a |
| a time an a scrievin | style | lang gaun by thou dealin |
| cairry the kilt wi ony | style | faith the faimly either ran |
| heiven institutin him wi the | style | o huizong an the halie |
| ower plooin o e aal | style | wi e corrugations o rig |
| fashioned the first modern vernacular | style | in british poetry scott s |
| it s blazin away guid | style | the meat on the bird |
| scottish prison service s management | style | unnecessarily unsettling for the staff |
| similar considerations applied in the | style | adopted by the present queen |
| great literary qualities in my | style | but simply because i am |
| an cairriet on in braw | style | east throwe kildare tae dublin |
| covered walk in classical pillared | style | for wet days as if |
| times in englishing our scottish | style | have yet but scotched it |
| hell raising wild west canadian | style | in bulldog carney by w |
| insurance buildings built in the | style | now known as stalin gothic |
| the researcher formally structured iv | style | chatting to two fellow pupils |
| sittin on the auld stane | style | foiranent the aibercorn graifyaird thai |
| quay beside the art deco | style | naval base late nineteenth century |
| not p 27 i the | style | o late 20th century novels |
| pu an wha tuik the | style | o yingzong efter fower year |
| recorded within the school pg | style | reid observed the variation on |
| the waverley an the mcginty | style | treble an leid danglt frae |
| na na at wisnae e | style | ere wis ae open fireplace |
| tickets were given out scandinavian | style | without any division into sexes |
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