poetic
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| mei 1716 1797 50 on | poetic | geniuses chao i 1727 1814 | 
| chao i 1727 1814 on | poetic | geniuses li po tu fu | 
| possible haiku this form of | poetic | expression deriving from ancient chinese | 
| loup haiku this form of | poetic | expression deriving from ancient chinese | 
| prose version and henryson s | poetic | version and compare the level | 
| than henryson s much looser | poetic | version [click] [inhale] chaucer uses | 
| principle of the anglo saxon | poetic | line but with the advent | 
| break the conventions that govern | poetic | composition finally james makes a | 
| in it i e about | poetic | composition of late there hes | 
| heroic portrait of the national | poetic | icon and a genuine non | 
| format is a form of | poetic | expression based on zen buddhism | 
| longer a suitable medium of | poetic | expression this view was an | 
| language as a medium of | poetic | expression william soutar was writing | 
| to use everyday language for | poetic | vituperation or flytings everyday language | 
| contemporary worth of his own | poetic | circle and stimulate further work | 
| frae that flytin three stanza | poetic | rebuke on the seiven lucky | 
| the vernacular and the vernacular | poetic | tradition also begins to get | 
| close to the dramatic and | poetic | form of the original at | 
| at the expense of his | poetic | merits and reputation as scotland | 
| ll have a a more | poetic | or dramatic outcome eventually once | 
| discussing the building of a | poetic | reputation in talking verse she | 
| rather than scots as a | poetic | medium like many another scottish | 
| and she adopts as her | poetic | medium the bob and wheel | 
| of scots as an experimental | poetic | medium we must find a | 
| historical studies and the printed | poetic | forms of ramsay fergusson and | 
| poems make their impact through | poetic | forms on the printed page | 
| break with the male scottish | poetic | tradition and have chosen to | 
| cobb the english neo classical | poetic | tradition was long preoccupied with | 
| a couple of points about | poetic | style first all verse should | 
| 1982 the consistency of these | poetic | successes eventually gave us enough | 
| agility with words ryhythm and | poetic | forms control of scots english | 
| real it s not a | poetic | fancy i remember it quite | 
| britton called transactional expressive and | poetic | functions of writing did become | 
| become spiritually exhausted as a | poetic | language and widespread adaptation as | 
| in an age when much | poetic | writing was a translation or | 
| play makes greater use of | poetic | personae than is usual in | 
| my sudden burst of unaccustomed | poetic | activity has spawned two more | 
| james was keen that every | poetic | line should have a section | 
| is clearly that for james | poetic | metre and poetry as a | 
| a 16th century genre of | poetic | advice that had originated in | 
| century had she considered female | poetic | aspirations in that period her | 
| you to exercise your own | poetic | ingenuity and it binds you | 
| the development of his own | poetic | technique in this poem davidson | 
| identifying the end of the | poetic | line imported from the european | 
| ambition of the votaries for | poetic | fame who find hard was | 
| they chose to use existing | poetic | models modifying them where necessary | 
| 1 at this stage in | poetic | development it is more important | 
| did much to change german | poetic | taste and to promote interest | 
| cases however vocabula artis or | poetic | diction should be used in | 
| inch sfn 10 having some | poetic | sisters however can make one | 
| growing old a less popular | poetic | subject than falling in love | 
| and montgomerie a contest of | poetic | insults performed before the king | 
| in scottish literature you get | poetic | sex scenes before this but | 
| not only a lack of | poetic | grandmothers 5 but also a | 
| shows that her head and | poetic | imagination are the faculties principally | 
| monica jaeger s analysis of | poetic | naivety in her book theorien | 
| knowledge of burns s characteristic | poetic | themes and her awareness of | 
| herself as his equal in | poetic | calling at least if not | 
| scrapheap so it will be | poetic | justice if his sculpture ends | 
| totally at odds with his | poetic | soul it would seem to | 
| might be seen as the | poetic | mother of the girls who | 
| the first chapter deals with | poetic | rhythm the second with the | 
| been created by men of | poetic | genius well educated in literary | 
| of god was just a | poetic | symbol heaven s above we | 
| the character of the oe | poetic | vocabulary 2 frederick klæber ed | 
| by the number of new | poetic | voices appearing in the 1990s | 
| you have you have the | poetic | revival you have m741: mmhm | 
| so sometimes dramatisations are showing | poetic | states erm that exist and | 
| dating back to 1947 stillborn | poetic | fragments and morbidly sensitive short | 
| syd barrett s plaintive whimsical | poetic | songs were fuel to my | 
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