poem
See this word as a collocate cloud
| poem this is a horticultural | poem | about horticultural things of reeds |
| you not ecstatic the horticultural | poem | this is a horticultural poem |
| 173 74 4 liz lochhead | poem | purpose and place p 204 |
| of irony liz lochhead in | poem | purpose and place shaping identities |
| galloway liz niven s first | poem | since our linkage is a |
| a liz lochhead play or | poem | wid it be waater t |
| ava poem train the next | poem | coming is due to stop |
| poem like just a wee | poem | f1054: do you want to |
| poem s style the lofty | poem | has a few native words |
| no it s a wee | poem | like just a wee poem |
| an absolute guarantee of a | poem | s style the lofty poem |
| s nae a worry ava | poem | train the next poem coming |
| scottish women writers the title | poem | is a witty debunking of |
| title came from the burns | poem | to a mouse of course |
| first two stanzas of the | poem | to a mouse the title |
| be laid out as a | poem | with a title here perhaps |
| lines quote from a browning | poem | about the loss of eden |
| lines of tom leonard s | poem | all livin language is sacred |
| lines o tom leonard s | poem | all livin language is sacred |
| on p 584 that the | poem | is possibly the first lines |
| first 1300 lines of the | poem | where rond is the most |
| weather conditions or a descriptive | poem | about that kind of weather |
| instance a weather report a | poem | on weather an entry from |
| of weather she attracted this | poem | was entered for and won |
| being later in the same | poem | davidson refers to the throbbing |
| of their suffering in this | poem | davidson s narrator tells of |
| own poetic technique in this | poem | davidson uses a ballad form |
| of my thought davidson s | poem | in praise of perversion rises |
| davidson uses it in this | poem | is a metathesis of the |
| view that davidson in this | poem | is making a symphony out |
| to the confidentiality of the | poem | the way that davidson directly |
| feint a care he wrote | poem | an caimbed his hair he |
| fun m1012: i wrote a | poem | caed doon oor close an |
| the same drawer as the | poem | my father wrote when i |
| forty years wrote his epic | poem | the brus in inglis in |
| legions of fleas the shy | poem | do you write many poems |
| little prancing poems from his | poem | factory and if he smiles |
| of the workshop is the | poem | fish and poems produced with |
| 772 840 ma frein s | poem | nae new poems his brush |
| awa you an write a | poem | and play yersels [laugh] and |
| do you write a new | poem | every day stafford replied sometimes |
| pretend to write out a | poem | in creative calligraphy while she |
| to write either a short | poem | in scots any length up |
| asked me to write a | poem | jl114 15 writing in iambic |
| i cam ta write da | poem | somethin related tae da pictirs |
| would like to tell this | poem | why i write this paper |
| a story a recipe a | poem | or a reference book this |
| rhyme and so on the | poem | or story becomes a sort |
| see the reading of any | poem | or story or chapter or |
| a text before teaching a | poem | or story the teacher should |
| a wasted life the shy | poem | stars stripes undergrowth story time |
| is the images in this | poem | which bring the tragic story |
| reading oot a george stephen | poem | on radio a wikk bi |
| at that moment declaiming a | poem | with some vigour reading from |
| reading people occasionally did that | poem | you read the one about |
| ironic registers of the short | poem | arraheids where oor gret museums |
| on short sections of the | poem | rather than on the work |
| doon wi ian middleton s | poem | teen short i needna explain |
| five times in this short | poem | thus giving her back her |
| is difficult to read this | poem | aloud without falling into some |
| he had read that very | poem | at a small literary gathering |
| chamber tom fleming read a | poem | by iain crichton smith which |
| cherry i thought of a | poem | i d read in modern |
| is more obvious if the | poem | is read aloud indeed it |
| gaun tae read ye a | poem | o my faither s f1054: |
| his real father in the | poem | after having first adopted the |
| it and my father s | poem | the first two documents relating |
| piece of paper with the | poem | written in father s copperplate |
| 1 iii where burns s | poem | appears anonymously and it is |
| had himself translated burns s | poem | john anderson my jo under |
| we did was the burns | poem | m055: aye f785: once a |
| trophies of success writing a | poem | s like that like going |
| writing an essay on a | poem | that doesn t have a |
| i still love writing a | poem | though more than anything else |
| deid feet ticking clock this | poem | is written in the form |
| scots like mysel in the | poem | written in her honor he |
| in german blank verse the | poem | written on seeing the royal |
| foregrounds his imagery throughout his | poem | making the reader stop and |
| the effect of making the | poem | more acceptable to the reader |
| it was my money making | poem | the one that [inaudible] [laugh] |
| and later in the same | poem | and thus are men supreme |
| the language later in the | poem | he mentions my income comes |
| line verbatim later in the | poem | we never do find out |
| instead he made a little | poem | about the things inside his |
| i would wish for all | poem | fishers little lights set out |
| it was a friendly little | poem | he grew to love it |
| of hair in pope s | poem | is trivial but little s |
| is trivial but little s | poem | is ultimately warm hearted its |
| in janet little s verses | poem | this content although relating to |
| an she d fand a | poem | bi a alexander scott continent |
| haes decidit the mooth watterin | poem | cried chocolate cake bi [censored: forename] |
| bi the wirds o the | poem | sae raxxed his airm aroon |
| my entry into a long | poem | competition m608: mmhm m078: and |
| i knew that a long | poem | had to have a structure |
| always have a l- long | poem | in mind when you started |
| a it is a long | poem | m078: er yes erm i |
| of the english modernist long | poem | m608: mm m078: particularly basil |
| this occasion is the long | poem | ulysses by tennyson the old |
| less latinate words in the | poem | have positive connotations fair fresche |
| words occurs elsewhere in the | poem | nor are there any other |
| and latinate words in the | poem | pultron poltroon from fr poultron |
| this way 304 of the | poem | s content words excluding prepositions |
| eighth line of the same | poem | he uses the word frith |
| foregrounds the whole of the | poem | in the very first line |
| symon the line o the | poem | reads that sownock fae the |
| take a line from a | poem | that ian jenkins quoted i |
| seemed ta en wi ee | poem | o mine da cockle shall |
| i could jöst recite da | poem | or maybe hae a converstion |
| they believed described the scots | poem | and e beside those which |
| nicht is neir gone this | poem | exemplifies the scots practice of |
| similarly in the scots language | poem | halloween jl168 70 the emphasis |
| which consisted of the scots | poem | its english equivalent and the |
| a scots owersettin o the | poem | lost frae the north west |
| purity o scots in his | poem | pure border scots in his |
| insistit we aa screive a | poem | usin scots wirds he photocopied |
| 65 for duffy in this | poem | all childhood is an emigration |
| and sandal shoon in this | poem | as in on a hill |
| about eh wh-wh- where that | poem | came from and this is |
| that i made up this | poem | coming upon a queue of |
| dog is lolling across this | poem | hospital waiters and watchers hand |
| the light however my favourite | poem | in this context and for |
| hale o scotland an this | poem | is a memorial tae a |
| when i hear it this | poem | is a moving apt and |
| being evermore self knowledge this | poem | is arguably the most sickening |
| natural world imagery in this | poem | is its freshness the specific |
| leaves us with in this | poem | is perhaps that of the |
| cosmic tree in this epic | poem | macdiarmid promotes his caledonian autisyzygy |
| know it man this rich | poem | plays with sexual and intertextual |
| it unsuccessfully as this wee | poem | prophesied black snaw flakes birlin |
| with one stroke in this | poem | reference is again made to |
| to represent this man s | poem | somehow eh eh you achieve |
| was the writer of this | poem | the street is now protected |
| male chauvinistic pig in this | poem | the woman is not portrayed |
| they had done of the | poem | this showed some kind of |
| romuli nepotum catullus addressed this | poem | to cicero noli admirari oxters |
| a few verses of this | poem | to recite make cue cards |
| them all even in this | poem | which seems at first to |
| the gallant weaver treat this | poem | with a pleasant tone and |
| fair bit about what the | poem | should kind of look like |
| s okay typing up a | poem | that s kind of part |
| he used to quote a | poem | about a teacher who would |
| course it s also a | poem | about dying and m608: mmhm |
| t laldy tartan baldy a | poem | about famous doorknobs their owners |
| in 1991 opens with a | poem | about intuition sisters tells how |
| thame thay tak from a | poem | about pedlar rogues in the |
| erm and part of the | poem | at least is about the |
| week william mcilvanney in a | poem | talked about the scottish lion |
| s m608: mm m078: the | poem | s yes [inaudible] m608: but |
| is very important to the | poem | as it sets the mood |
| the very fact that the | poem | because of its length must |
| john barleycorn a very popular | poem | for translation appearing in 1799 |
| ambition the metre of the | poem | which is very close to |
| inch copper tube the wee | poem | above was dashed off in |
| you find an absolutely original | poem | being composed verse forms the |
| just sitting there being a | poem | just sitting there i think |
| s described in say a | poem | without the outcome being involved |
| revisited there aince wis a | poem | aboot fame writ by percy |
| eilidh ah ve wrutten a | poem | aboot him eilidh aboot the |
| shall hit s a praise | poem | aboot shetland knitters set i |
| anaw mebbe a bit pairtin | poem | ah winna threip on aboot |
| translations into english of the | poem | and try to sort of |
| which applied to the english | poem | or e and s if |
| the language back to the | poem | what what do see the |
| practices not only is the | poem | a parody but at the |
| twelve synonym sets in the | poem | beowulf the poet is found |
| is unread there is one | poem | however that most literary scholars |
| saddest thing which is a | poem | in the memory of the |
| no longer a person the | poem | is a complex of contradictory |
| other with their gloves the | poem | is a parody of the |
| part of the th-th-th- the | poem | is an attempt to come |
| the last bit of the | poem | is is is headed where |
| that the person in the | poem | is me always but she |
| a narrative even while a | poem | is not conventionally a narrative |
| king s flyting such a | poem | is obviously more circumspect than |
| out of context the whole | poem | is one of rls s |
| the operating metaphor of the | poem | is our common fear of |
| take the matter personally a | poem | is passing by crunch time |
| to be learned from the | poem | is surely that love and |
| the structuring metaphor of the | poem | is the coup the dump |
| of captivity permeates throughout the | poem | it is captivity in both |
| maun learn tae share blues | poem | rockabye baby your cradle is |
| is not conventionally a narrative | poem | the capacity to create characters |
| box is was in the | poem | there a faither s tuil |
| displacement is communicated in the | poem | to her daughter eilidh i |
| a dramatic scene within a | poem | all qualities which led eventually |
| the rhythm of a bonnie | poem | and then he d come |
| i but we learnt a | poem | at broomhill that went there |
| the attempt by a milkmaid | poem | books to print marked by |
| in their comprehension of the | poem | by establishing a train of |
| the following stanzas from a | poem | by montgomerie exemplifies the court |
| an ageing director translated a | poem | called if i had a |
| the dream sequence in the | poem | can be seen as a |
| poet composed a different oral | poem | for each occasion working swiftly |
| anchor books anthology a bedtime | poem | for every day of the |
| drummond of hawthornden performed a | poem | forth feasting to welcome the |
| an imaginative input that a | poem | has not landed flat on |
| the keekeiad was not a | poem | he had contemplated taking along |
| a jesus sandwich the telling | poem | i would like to tell |
| relation to identity in the | poem | in my country a suspicious |
| instance in 1572 in a | poem | in the bannatyne ms the |
| aw at aince a lousum | poem | kyths afore me but whan |
| the column cam fae a | poem | o david grant gyan back |
| folk tradition lorelei suggest the | poem | offers a reversal of the |
| much the keynote of the | poem | on a visit to mr |
| then there s a breakthrough | poem | or a breakthrough piece or |
| say whether you like a | poem | or not the voice that |
| sound the rest of the | poem | outlines a vision of a |
| state of the world the | poem | presents a courtier narrator discussing |
| fleeting insights haiku moments a | poem | s meaning may be obvious |
| things animate or inanimate a | poem | s meaning may be obvious |
| on granda owersett o a | poem | screived by tone pavcek 1928 |
| the slanted one for the | poem | shower in booklet a what |
| glories of feminine thatch the | poem | signed off with a plea |
| echt o them inno a | poem | the drap in wye o |
| he have done made a | poem | those who move others and |
| the brig o balgownie a | poem | to be whispered behind wheelie |
| reflect these different purposes a | poem | too can be descriptive or |
| say whiider doo liks a | poem | ur no d voice dt |
| regaird tae chynges in his | poem | walter gies a leet o |
| slave owning fife doctor that | poem | was jist a bit o |
| at the hinneren o his | poem | it s the variety that |
| have corrected and revised the | poem | substantially shortly before his death |
| town of innermessan in his | poem | the ballad of semmerwater sir |
| it since forby the tither | poem | there his last will and |
| alive in her memory the | poem | ends with her sending in |
| can only watch and her | poem | mirror moves from the unemotional |
| in dreaming frankenstein 1984 her | poem | mirror s song offers an |
| emptiness in her memory the | poem | s power comes from the |
| class tables in her dedicatory | poem | to the countess of loudon |
| in her poetry her dedicatory | poem | to the countess of loudon |
| became er an irish er | poem | [inhale] er delighted me tremendously |
| occurred only once in the | poem | 84 in section 1 47 |
| in us elsewhere in the | poem | although still upholding the opinion |
| t think it diminishes the | poem | at all in terms of |
| in the witty fountain the | poem | contrasts classical arcadia with the |
| painful emigration as in the | poem | gone wrong but in the |
| found in alastair mackie s | poem | in absentia syn god said |
| its tunes growe better mind | poem | in the lenses of the |
| single manuscript exists of the | poem | in what rds jack describes |
| welcome the king home the | poem | in which the river forth |
| designed by charles rennie mackintosh | poem | path in the botanics slates |
| at one point in the | poem | recurrence was felt to be |
| as in charles murray s | poem | richt ower the tap o |
| the values endorsed in the | poem | s closing stanza as opposed |
| century for example in the | poem | the blythsome bridal attributed to |
| occurred too frequently in the | poem | to make their recurrence significant |
| thus and pyne in the | poem | we find many mixes of |
| to elucidate problems of the | poem | s composition or style beowulf |
| of the remainder of the | poem | until the final stanza which |
| said my grandpa kens that | poem | and it was the penetration |
| klaeber s edition of the | poem | 2 all occurrences of these |
| to the development of the | poem | abab bcbc cdcd ee interlinked |
| the entire vocabulary of the | poem | and to see how the |
| sense the action of the | poem | begins with the speaker as |
| and farles and baps the | poem | has splendid descriptions of the |
| the bits of the epic | poem | he didn t want and |
| three major sections of the | poem | ll l 1250 the introduction |
| the second half of the | poem | moves into the mock heroic |
| copies of alexander blok s | poem | on the silken leddy i |
| organise the development of the | poem | rhyming couplets are good for |
| at the outset of the | poem | she was raped when she |
| think of it often shy | poem | that crept away i would |
| the third section of the | poem | three of the compounds appear |
| 846 25 ma frein s | poem | do 26 no weill do |
| wunter nicht do 44 lest | poem | do 45 plaint agin generals |
| marks the fat nymphomaniac s | poem | all communicate the psychological distress |
| takks oot the month wi | poem | an scottish sang december s |
| pause dae ye mynd yon | poem | o lermontov s and he |
| fergusson i mind als yon | poem | o sorley maclean s translatit |
| rowl charles kerr s praise | poem | to the appalachians he sings |
| maclaurin that penned the keekin | poem | ah that surprised you you |
| while praising meldrum however the | poem | also seems to mock the |
| incident had inspired an excellent | poem | and the analogy with degas |
| wolf pack circle the raw | poem | bolder wolves press almost onto |
| the last word throughout the | poem | inverted commas have signalled the |
| conventional literary hierarchies as the | poem | proceeds the persona reveals himself |
| because visible because men the | poem | questions conventional divisions between male |
| hell when he died the | poem | runs here lie willie michie |
| craftsman tradition and so the | poem | ultimately asks us what we |
| less controversial fact that the | poem | was presented orally to an |
| look ye just say the | poem | ye know two verses an |
| mist on metal powered grooves | poem | factory when daniel vaughan was |
| erotic and ironic counter seduction | poem | energetically communicated through image sound |
| lung ca 1590 1646 luiv | poem | nou dinna you set sail |
| fir ye afore lang yer | poem | sangs got ye kent tae |
| chü i 772 846 lest | poem | thay hae putten ma bed |
Top

