chicago
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| the publisher the university of | chicago | press this exacerbated matters though |
| printer during the years with | chicago | university press as publisher although |
| between february and april 1981 | chicago | university press withdrew as publisher |
| with a bald punter from | chicago | who was most definitely checking |
| continued to be published by | chicago | university press until 1981 there |
| in paris madrid barcelona and | chicago | that salvador depended on catalina |
| for the production side if | chicago | continued with publication which if |
| craigie and the university of | chicago | for the publication of a |
| he could not deny that | chicago | was finding publication a heavy |
| task of the university of | chicago | with regard to the publication |
| the delicacy of relations with | chicago | university press was such that |
| this time if relations with | chicago | were to break down it |
| one of the causes for | chicago | s unhappiness about the project |
| went to the university of | chicago | as an assistant professor working |
| english in the university of | chicago | in 1929 a memorandum of |
| value of the university of | chicago | press s investment in dost |
| new contract was signed with | chicago | to which the university of |
| retired in 1936 returning from | chicago | to watlington near oxford where |
| a change of attitude in | chicago | due to rising costs and |
| london in the novel to | chicago | in the film version du |
| in costs had led to | chicago | s unwillingness to continue under |
| bit like damon runyon s | chicago | gangster stories full of gang |
| scottish universities wanted to keep | chicago | on board and phrased the |
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